1. |
Toltorn Ziimi
03:58
|
|||
|
Ge gnay ip brin droln oali de um cafafam
(No tenemos lugar al que llamar hogar)
A adoian de Ge i do ripir, crip adgt uran tofglo;
(Nuesto rostro esta en ningun lugar, mas puede verlo todo;)
Ge ca om a lonshi de avavago lap ge zodireda a gohed izazaz.
(Por tanto comprendemos el poder del trueno ya que poblamos la imperecedera carcasa.)
Ge ooge od ge urelp monons, paradial lap a conisbra, toltorn, zimii.
(Nuestro compartimento y nuestro hirviente corazón, morada de las obras del hombre, criatura, entra.)
|
||||
2. |
Genesis
02:54
|
|||
3. |
Digital
07:38
|
|||
4. |
Error
07:15
|
|||
5. |
Final
01:39
|
|||
HUME Concepción, Chile
Equipo transdisciplinar que desarrolla proyectos artísticos colaborativos, abriéndose a la experimentación y los diálogos inesperados.
If you like ATARI, you may also like:
On “Spirit Breeze,” Dylan Gilbert starts from folk roots, but gradually adorns his songs with rich textural elements.
go to album
Progressive music ensemble The Grand Sbam's bombastic compositions defy tempo, genre, and description.
go to album
A wild post-rock adventure, powered by complex percussion, jagged guitar lines, and bright vibraphone.
go to album
Return the Tides: Ascension Suite and Holy Ghost
by Rob Mazurek and Black Cube SP
Mazurek's latest outing is a chaotic, powerful and emotional tribute to his mother, who suddenly passed earlier this year.
go to album
War Footing
by Andrea Mazzariello
Lush chamber pop constructed from swirling clouds of synths that surround deep, plaintive vocal melodies.
go to album
St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
go to album
The Risk Of Hyperbole - Vol.2 - Object
by Jack Prest
Jack Preset creates rich soundscape of sub bass drones, tape delay atmospheres, and shimmering electronics.
go to album
